CV
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Abbreviated CV:
ONE-PERSON EXHIBITIONS*/PUBLIC ART/INSTALLATIONS | ||
2010 | SUR LA LIGNE/ON THE LINE*, 571 Projects, New York, New York | |
2008-09 | BIOGRAPHY OF A HOUSE, ON PIETY, Curated by Jana Napoli, Prospect.1 Biennial Satellite Exhibition at Piety Street Warehouse, and PREVIOUSLY ON PIETY, Curated by Dan Cameron, Contemporary Arts Center, New Orleans, Louisiana | |
2007 | BIOGRAPHY OF A HOUSE, 6875 VICKSBURG Street, LAKEVIEWS Sunset Bus Tour: Art, Performance, Music and Food, New Orleans, Louisiana | |
2004 | PORTALS & THRESHOLDS*, Contemporary Artists Center, North Adams, Massachusetts | |
2001 | AUTO/BIOGRAPHY/CHARTS AND OFFERINGS*, Carroll Gallery, Newcomb Art Department, and BOOKWORKS*, Newcomb College Center for Research on Women Nadine Vorhoff Library, Tulane University, New Orleans, Louisiana | |
PHOTOBOOKWORKS, Bellocq Gallery, Louisiana Tech University, Ruston, Louisiana | ||
AUTO/BIOGRAPHY/CHARTS*, Arthur Roger Gallery, New Orleans, Louisiana | ||
2000 | VESTIGES: JOURNEYS AND DESTINATIONS*, Lemieux Galleries, New Orleans, Louisiana | |
1999 | SCRAPS, BOOKS, and BOXES*, 5501 Columbia Art Center, Dallas, Texas | |
AUTO/BIOGRAPHY/CHARTS*, gallery: untitled, Dallas, Texas | ||
1998 | GOODBYE, DAD*, Zephyr Stadium, New Orleans, Louisiana | |
1997 | UTILIZING PHOTOGRAPHY*, L’EMBARCADERE, Lyon, France | |
1995 | LIGHT IN THE HEAD* Contemporary Arts Center, New Orleans, Louisiana | |
1993 | THRESHOLD* The Claibourne Gallery, St. Louis , Missouri | |
THE SUBJECT IS WAR/THE SUBJECT IS CENSORED* The Writers’ Place, Kansas City, Missouri | ||
1992 | THRESHOLD* Hall-Barnett Gallery, New Orleans, Louisiana | |
ONE THING ONLY STORE* Exchange Alley, French Quarter, New Orleans, Louisiana | ||
1991 | GOODBYE, DAD, 1990 SAF/NEA REGIONAL VISUAL ARTS FELLOWSHIP RECIPIENTS TRAVELING EXHIBITION, Atlanta College of Art Gallery, Atlanta, Georgia | |
1988 | MEMORIAL TO BOBBY, LIGHTWORKS, Piazza D’Italia, Sponsored by The Contemporary Arts Center, New Orleans, Louisiana | |
SHIFT BACK, ART IN TRANSIT, St. Charles Avenue, New Orleans, Louisiana | ||
1987 | PLEATS AND PHOTO COLLAGES* New Orleans Theater for Performing Arts, New Orleans, Louisiana | |
1985 | PSYCHE REMEMBERS TOO, ART PLACE/CANAL PLACE, Sponsored by the Contemporary Arts Center, New Orleans, Louisiana | |
1984 | FRAMED*, University Of New Orleans Fine Arts Gallery, and DOUBLE ROSES, Iberville Street, New Orleans, Louisiana | |
1983 | ABSTRACT MATERIALISM*, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana | |
Awards & Honors | ||
2010 | HAVEN FUND | |
2009,10 | CREATIVE CAPITAL/LOUISIANA DIVISION OF THE ARTS, Professional Development Fellowships | |
2008-10 | FORD FOUNDATION, HOME, New Orleans? Project | |
2007-9 | THE WARHOL FOUNDATION and TRANSFORMA/NPN, HOME, New Orleans? Project | |
2006 | POLLOCK-KRASNER FOUNDATION | |
CONTEMPORARY ARTS MUSEUM HOUSTON KATRINA RELIEF FUND | ||
2006,08 | LOUISIANA CULTURAL ECONOMY FOUNDATION | |
CONTEMPORARY ARTS CENTER KATRINA FUND | ||
2003 | TRUST FOR MUTUAL UNDERSTANDING, SPACE2, Unifying Gift Project | |
1997-2001 | LOUISIANA DIVISION OF THE ARTS | |
1995 | NATIONAL ENDOWMENT FOR THE ARTS/ROCKEFELLER FOUNDATION and ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS REGIONAL ARTISTS PROJECT Light in the Head Project | |
1995 | DIVISION OF THE ARTS, STATE OF LOUISIANA | |
1992 | NATIONAL ASSOCIATION OF ARTISTS’ ORGANIZATIONS/The PEW CHARITABLE TRUSTS Valorization of the Anonymous Project | |
1990,1992 | ART MATTERS, INC., Subject is War Project | |
1990 | SOUTHERN ARTS FEDERATION/NATIONAL ENDOWMENT FOR THE ARTS | |
1988 | NATIONAL ENDOWMENT FOR THE ARTS/ROCKEFELLER FOUNDATION INITIATIVE FOR INTERDISCIPLINARY ARTISTS | |
PUBLIC ART PROJECTS/COLLABORATIONS/CULTURAL EXCHANGES/RESIDENCIES | ||
1995 & 2011 | MAISON GAI SABER, Leigne Sur Usseau, Loire Valley, France, Residency Spring 2011 | |
2010 | POINT B WORK/LODGE, Williamsburg, Brooklyn, New York, Residency Winter 2010 | |
2009-10 | THE VESTIGES PROJECT: LAND MARKS Opal Gallery Exhibition and VESTIGES OF NEW OLEANS: RITUAL AND RELIC in Connection with Atlanta Celebrates Photography, Public PhotoInstallations at Buckhead Library, Atlanta, Georgia | |
1982-present | MASTERS OF THEIR CONDITIONS, with Dr. Jacques and Monica Arpin, and Kevin McCaffrey | |
TRANSCULTURAL EXCHANGE An Exploration of Cultural Identity, Loss, Memory and Ritual; Zurich, Geneva, Stockholm, Paris, Boston, New Orleans | ||
2005-10 | VESTIGES: THINK TANK, a Three-year Roving Recovery Residency Under the Auspices of the Contem porary Arts Center | |
2007-10 | HOME, New Orleans? LAKEVIEWS, with ArtSpot Productions and Jan Villarrubia as Core Collaborators: LAKEVIEWS SUNSET BUS TOUR, TURNING OF THE BONES, WHIPERING BONES, and GO YE THEREFORE | |
2008-09 | THE VESTIGES PROJECT: LOSS. RITUAL. RELIC. RESIDUE: THE ARCHIVE. Nadine Vorhoff Library, Tulane University, New Orleans, Louisiana | |
2003-05 | THE UNIFYING GIFT, REPUBLIC OF MACEDONIA/U.S.ARTISTS EXCHANGE, Macedonia | |
2002-04 | SCATTERED EPHEMERA, Tacoma, Washington | |
1994-97 | FRENCH/U.S. ARTISTS EXCHANGE, St. Etienne and New Orleans | |
1992-94 | VESTIGES: A VALORIZATION OF THE ANONYMOUS, Boston, Massachusetts, and New Orleans, Louisiana | |
1991 | THE VESTIGES PROJECT: THE SUBJECT IS WAR, New Orleans, Louisiana | |
1989 | THE VESTIGES PROJECT: CONTEMPORARY MEMORIALS, New Orleans, Louisiana | |
SELECTED GROUP EXHIBITIONS | ||
2010 | UNDER-STANDING WATER, DiverseWorks, Houston, Texas | |
HURRICANE KATRINA: FIVE YEARS OF REFLECTION, Spruill Gallery, Atlanta, Georgia | ||
SMALL THINGS CONSIDERED, 571 Projects, New York, New York | ||
2008 | WORKSPACE: In Katrina’s Wake, Curated by Annette DiMeo Carlozzi, Blanton Museum, University of Texas, Austin, Texas | |
2006 | KATRINA EXPOSED, New Orleans Museum of Art, New Orleans, Louisiana | |
EMBARRAS DE RICHESSE: Work Done by New Orleans Women Artists, Carroll Gallery, Newcomb Art Department, Tulane University, New Orleans, Louisiana | ||
2006-08 | IN RESPONSE TO HEALING, Curated by Dr. Peg & Glen Speirs, Gallery 908, Reading, Pennsylvania, Traveling Exhibition | |
2005 | 2005 NEW ORLEANS TRIENNIAL: A SOUTHERN PERSPECTIVE ON PRINTS, Curated by Dr. Mailyn Kushner, New Orleans Museum of Art, New Orleans, Louisiana | |
2004 | BOUND TO NOTHING, FOTOFEST, Curated by John Runnels, Mother Dog Studios, Houston, Texas | |
2003 | LOUISIANA PURCHASE BICENTENNIAL EXHIBITION, Louisiana Tech, Ruston, Louisiana | |
2002 | ART CONTEMPORAIN/World AIDS Day, Curated by Moise Sadoun, Lycee Leon Chiris, Grasse, France | |
REST ROOM: Privacy and Consciousness, Curated by Rebecca Trasker, Boston Center for the Arts, Boston, Massachusetts | ||
2000 | PERSONAL MYSTERIES: 10 Women Artists, Curated by Mary Jane Parker, Kirschman Art Space, New Orleans Center for Creative Arts, New Orleans, Louisiana | |
NEW ORLEANS NOIR II, Curated by Gary Oaks, Zeitgeist Multi-disciplinary Arts Center and Barrister’s Gallery, New Orleans, Louisiana | ||
1999 | THE VISUAL FELLOWSHIPS 1981-98, Curated by Marti Mayo, Baton Rouge Gallery, Sponsored by Louisiana Division of the Arts, Baton Rouge, Louisiana, Traveling Exhibition | |
1998 | THE GHOST OF CORNELL, Curated by Doug MacCash, Contemporary Arts Center, New Orleans, Louisiana | |
NEW ORLEANS NOIR, Curated by Gary Oaks, Zeitgeist Alternative Art Center, New Orleans, Louisiana | ||
1996-97 | BOOK AS ART VIII, Curated by Krystyna Wasserman, National Museum for Women in the Arts, Washington, DC | |
1995-98 | ONE OF A KIND: ARTISTS BOOKS, Curated by Suzanne Reese Horvitz and Anne Stengel Raman, Foundation for Today’s Art; Nexus and United States Information Agency Sponsored Traveling Exhibition, Philadelphia, South America, and Near East Sites | |
1995-97 | STORIES FROM HER, Curated by Dina Light and Sarah Webb, University of Rochester, New York, Traveling Exhibition | |
1996 | TRANSFORMING TRADITION, Women’s Caucus for Art, Bromfield Gallery, Boston, Massachusetts | |
ARTISTS IN RESIDENCE, Curated by Moise Sadoun, Alliance Francaise de la Nouvelle Orleans, Louisiana | ||
1995 | LAZOS, Curated by Stella Aguirre McGregor, The Space, Cambridge Multicultural Center, Massachusetts | |
ARTISTES DE LA NOUVELLE ORLEANS, Sponsored by Alliance Francaise, Ecole des Beaux Arts de Saint-Etienne, Saint-Etienne, France; Institute de Thessalonique, Greece, Traveling Exhibition | ||
1991-95 | PHOTOGRAPHIC BOOK ART IN THE UNITED STATES, Curated by Susan kae Grant, University of Texas at San Antonio, Texas, Traveling Exhibition 1991-1995 | |
1993 | FIELDER’S CHOICE: THE ART OF BASEBALL, Marguerite Oestreicher Gallery, New Orleans, Louisiana | |
THE TRANSPARENT OBJECT, Curated by Lew Thomas, Contemporary Arts Center, New Orleans, Louisiana | ||
1992 | PERSONALIZED VISIONS, Salem College Gallery, Winston, Salem, North Carolina | |
1991 | BOUNDLESS VISION, Curated by Judith Hoffberg, San Antonio Arts Institute, San Antonio, Texas | |
TURNING PAGES – EXHIBITION OF ARTIST’S BOOKS, The Space, Boston, Massachusetts | ||
WOMEN & WAR, University of Texas at Austin, Texas | ||
1990 | VESTIGES/BOOKWORKS, Simms Fine Art, New Orleans, Louisiana, Traveling Exhibition | |
PORTRAITS OF WOMEN and MALE IMAGES, Gasperi Gallery, New Orleans, Louisiana | ||
1989 | NEW ORLEANS – 1989, Historic New Orleans Collection, New Orleans, Louisiana | |
1986 | OPPRESSION/EXPRESSION, Contemporary Arts Center, New Orleans, Louisiana | |
INVITATIONAL CENTENNIAL EXHIBITION, Newcomb Women’s Center, New Orleans, Louisiana | ||
1985 | SIX ARTISTS, Bienville Gallery, Houston, Texas | |
TAMPA MUSEUM TRIENNIAL, Tampa Museum, Tampa, Florida | ||
BOXES, Southeastern Center for Contemporary Art, Winston, Salem, North Carolina | ||
THE DOG SHOW, Galerie Jules Laforgue, New Orleans, Louisiana | ||
1982 | LOUISIANA SCULPTURE BIENNIAL, Contemporary Arts Center, New Orleans, Louisiana | |
BIENNIAL NATIONAL EXHIBITION, Meadows Museum of Art, Shreveport, Louisiana | ||
ART CARS, Curated by Emery Clark, P.S. 1, Long Island, New York, Traveling Exhibition | ||
Education | ||
1982 | TULANE UNIVERSITY, New Orleans, Louisiana, Master of Fine Arts | |
1980 | UNIVERSITY OF NEW ORLEANS, New Orleans, Louisiana, Bachelors Degree | |
PUBLIC COMMISSIONS | ||
Shell Offshore, New Orleans, Louisiana | ||
Sonesta Hotels, Boston, Massachusetts | ||
Massachusetts Highway Department, Central Artery/Tunnel Public Art Project, Boston, Massachusetts | ||
Swisshotel, Chicago, Illinois | ||
New Orleans Jazz & Heritage Foundation, New Orleans, Louisiana | ||
Contemporary Arts Center, New Orleans, Louisiana, Century Club Print 1997 | ||
Sheraton Hotel, New Orleans, Louisiana | ||
Louisiana Gas Service, New Orleans, Louisiana | ||
C. F. Bean Corporation, New Orleans, Louisiana | ||
SELECTED PUBLIC COLLECTIONS | ||
United States Information Agency, Washington, DC | ||
Ogden Museum of Southern Art, New Orleans, Louisiana | ||
Claibourne Collection, State of Louisiana | ||
City of New Orleans, New Orleans, Louisiana | ||
Texas Tech University Southwest Collection, Lubbock, Texas | ||
The Healing Garden, Harvard, Massachusetts | ||
Pan American Life Center, New Orleans, Louisiana | ||
Middleberg, Riddle, & Gianna, New Orleans, Louisiana | ||
Wembley Industries, Inc., New Orleans, Louisiana | ||
Dakota Neal Corporation, New York, New York | ||
Entergy Corporation, New Orleans, Louisiana |