Jan Gilbert on Audiotree
ABOUT THE WORK
.Interdisciplinary artist, curator and educator Jan Gilbert mines memory, loss and transition. She pushes boundaries of all sorts by forging objects, installations, rituals and networks. Her universally compelling works are simultaneously personal and collective, public and private, local and global.
Scale and scope range from an intimate bookwork tribute using her youthful correspondence with a Vietnam War soldier, Memorial to Bobby (1991), to the 300 foot long Biography of a House (2007), a ribbon of embalmed family photos encircling her mother’s flooded post-Katrina home and a part of the acclaimed LakeviewS Sunset Bus Tour.
Her works have been shown widely in galleries, museums, and cultural centers across the United States and abroad; but early in her career, when the 1984 World’s Fair came to New Orleans, Gilbert realized her strong need to step outside of the gallery walls and engage more directly with a public that wouldn’t be inclined to visit sanctioned and safe art spaces. Her public art has tackled tough issues of AIDS, breast cancer, war and death, as it regularly finds its way to city streets across the globe. A few such projects, often collaborative, include: The Subject is War (1991), using bus shelters; Borders, Boundaries & Bindings, commissioned to appear as one of the first Central Artery Projects of Boston’s Big Dig in the streets of the South End (1993); Lunch EnCounter (2004), an installation and performance on desegregation; On the Line/Sur la ligne (2010), installed at 571 Projects Gallery and on the High Line in the Chelsea Arts District of Manhattan; and 30 Years/30 Blocks: a retrospective installation of place and public art work (2012), which appeared both inside and out at The Front in New Orleans’ St. Claude Arts District.
ABOUT THE ARTIST
Jan Gilbert has been awarded individual artist’s fellowships by the Pollock-Krasner Foundation, Southern Arts Federation/National Endowment for the Arts, Louisiana Division of the Arts, Contemporary Arts Museum Houston, and Art Matters. Her projects have received support from the NEA/Rockefeller Initiative for Interdisciplinary Artists, The Andy Warhol Foundation for the Visual Arts, Ford Foundation, Trust for Mutual Understanding, and National Association of Artist’s Organizations.
In 2013, The Arts Council of New Orleans honored her with a Community Arts Award recognizing artistic excellence, sustained contributions, unusual achievements, perseverance, and a deep commitment to the arts and the cultural community. (see video produced by Arts Council for this occasion).
Gilbert received her undergraduate degree from the University of New Orleans with distinction (1980) and her Master of Fine Arts from Tulane University (1982). She has taught at Tulane and Loyola Universities, Delgado Community College and as an artist/mentor with graduate students of Vermont College.
ABOUT WORKING WITH COLLABORATION, COMMUNITY AND CULTURE
Based in and deeply influenced by her native New Orleans, Gilbert employs tools and processes of collaboration to create this host of widely varied projects with wildly diverse partnerings: her documentary filmmaker husband, Kevin McCaffrey; poet/writers Andrei Codrescu and Yusef Komunyakaa; experimental theater directors Richard Schechner and Kathy Randels; and Swiss cultural psychiatrist/anthropologist Jacques Arpin.
Most recently, Gilbert collaborated as Guest Curator with The Historic New Orleans Collection with assistance from THNOC’s President & CEO Priscilla Lawrence in the exhibition ART OF THE CITY: Postmodern to Post-Katrina, presented by The Helis Foundation April 6 – October 6, 2019 its premiere coinciding with the opening of its spectacular new exhibition center at 520 Royal Street (coincidentally across the street from Gilbert’s French Quarter Studio!)
Gilbert is a co-founder, with artists Debra Howell and Kristen Struebing-Beazley, of the artist/writer collaborative The VESTIGES Project. Throughout her tenure with VESTIGES, Gilbert has directed, produced, and participated as a core artist in a wide variety of projects that include video, performance, and site/community interactions. In recognition of its 25th anniversary, the collective spent three years working under the auspices of a roving residency with New Orleans’ Contemporary Arts Center (2006-2009).
Lessons learned during intensive exchange projects: VESTIGES: A Valorization of the Anonymous (1993-04), Scattered Ephemera (2002-04), and The Unifying Gift (2003-05) in the Republic of Macedonia, poorest of the war-torn former Yugoslavia, positioned these New Orleans artists for the unimaginable tasks they confronted after the 2005 catastrophic flooding of 80% of the city of New Orleans. Early in 2006, Gilbert initiated VESTIGES: Think Tank and called upon former Orleanians from Geneva, New York, California, Austin, Boston and San Francisco, to re-connect as lifelines to post-Katrina NOLA. The charge was to aid rebuilding New Orleans in its ruins with experimental and interdisciplinary processes.
Aside from garnering substantial resources and remote access to functioning infrastructures, one of Think Tank’s many vital outgrowths was HOME, New Orleans? This large-scale arts and community network brought together neighbors, artists, students, organizations, schools and universities, to produce five years of sustained rejuvenation efforts in four devastated New Orleans neighborhoods. In 2013, Gilbert and McCaffrey edited a collection of articles for TDR (The Drama Review), providing a collective, firsthand glimpse at how creative artists took responsibility for remembering the disaster and re-visioning the city. As collaboration begets collaborations, many outgrowths are going strong and serving as models in a world grappling with global warming and climate change.
The cultural activism of Gilbert extends to mentoring, teaching, and lecturing as well as serving on inaugural boards, for A Studio in the Woods (an artists’ retreat with a focus on the environment) and ArtSpot Productions and Goat in the Road (socially activist performance ensembles). Gilbert served as Vice President/Arts Policy Chair of the Executive Committee of the Board of the Contemporary Arts Center. Later, in two important transitions of leadership, she aided as executive staff, acting as Interim Visual Arts Director (2012-13), and as part of a leadership triad (1995). Gilbert also sits on grant panels of the National Endowment for the Arts and state arts councils across the country.
Since the 1980s, Gilbert and her husband/documentary filmmaker Kevin McCaffrey have worked across disciplines with Dr. Jacques and Monica Arpin. The team delivered presentations at the World Association of Cultural Psychiatry Forum in Paris (2011) and in Mexico (2012) on the Cajuns of Louisiana as a model of resilience and collaboration. Gilbert and McCaffrey have served on Dr. Arpin’s special interest group launching an exploration of the global role of the arts in cultural psychiatry. Begun in 2013, Gilbert’s current work includes an interactive archive/installation of tools and processes of resilience and regeneration.